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Thread: Fluid Motion

  1. #1
    Inactive Member Dirty Cricket's Avatar
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    Hello everyone. Wow it's been a while since i have posted on here. But I have been busy finshing high school and looking for colleges to go to. I have finaly decided to go to Columbia College in chicago and study in their film department.

    But on to the real point of the topic. Now that I have a little more free time I am looking to presue some film projects that other wise i didn't have anytime for.

    In one inparticualar I am looking to achive some fluid smooth shots. I have a steady cam and that takes care of 90% of that but for some tracking shots, I was wonder if anyone knew some cheap "guerilla" methods of attaining these shots? My initial thought was to plop my camera onto a wheele chair. This is still my best possobility, but does anyone have any other possable better suggestions?

    Thanks

  2. #2
    HB Forum Moderator Alex's Avatar
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    You should mention the size & weight of the camera you plan on using.

    And, is a fixed wide-angle lens acceptable for your purposes?

  3. #3
    Inactive Member GREATwarEAGLE's Avatar
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    For my short I am currently in pre-pro on, I am doing the following. This is for an indoor, low angle move, covering about 40 feet.

    I have a MANFROTTO basic head connected directly to my MANFROTTO tripod dolly - but no tripod.

    This means my lens is only about a foot and a half off the ground. Pretty low. But because it's a tripod dolly, the wheels require ultra smooth surface. This works because the entire movement is on my bare hardwood floors.

    This is going to be done on super 8 film. So I have to either wrap a thick, strong rubber band around camera trigger or something similar. I don't have remote cable release. Haven't done it yet, but so far, there's every indication of flawless execution.

  4. #4
    Senior Hostboard Member deanl's Avatar
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    Hey there.

    "pre-pro"

    Funny as f*ck.

    Despin out.

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